Shostakovich: Symphony No. 10, Movement 2 - Piano Solo
I have always wanted to play a piano transcription of this symphonic movement. In 2018, I tried sketching out the beginning of the piece, finding it an impossib…
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CORTIS: YOUNGCREATORCREW - Piano
The chorus features minor differences, due to the minor changes in pitch in the yodelling in the song. Ostinato part in the left hand during the verse can be ra…
KATSEYE: Animal - Piano
A relatively simple yet effective transcription. Melody and accompaniment overlap in the verse to preserve singing pitch. The song becomes more alive in the sec…
&TEAM: Good Boy - Piano
The piano version sounds certifiably spooky with the opening chords and chromatic bass line. Similarities to REDRED in the melodic shape, as CORTIS have writing…
CORTIS: What You Want - Piano
What You Want is a dense cover, with very full chords through the introduction and chorus, which contrast with the lighter verses. Just before the chorus, an ad…
ENHYPEN: Bloody Paradise
This cover is very difficult rhythmically, due to the rhythms in the pre-chorus which are offset by a semiquaver (16th note), it makes it cumbersome to manage t…
CORTIS: MOTION - Piano
Right from the beginning and throughout the song, this moving bass line is incredibly insistent. One of the unique features of this transcription is that the ma…
CORTIS: JoyRide - Piano
This is a warm transcription of JoyRIde. The large and open accompaniment helps add to that feeling. Gentle tensions in the harmony are spread out the song, inc…
CORTIS: TNT - Piano
The grungy ostinato bass line is preserved throughout the whole transcription, with some lightening in the second verse. Tremolo's are used in the right hand to…
CORTIS: Blue Lips - Piano
Blue Lips features a very free flowing melody which is difficult to capture in strict note values. Use the written notes and rhythm as a guide. The multiple voi…